Sunday, March 8, 2015

The Apple Watch: Is it a gadget or a fashion statement?

Apple CEO Tim Cook stands in front of a screen displaying apps available for the Apple Watch at a presentation at Apple headquarters in Cupertino, California October 16, 2014.  REUTERS/Robert Galbraith

Apple CEO Tim Cook summed up the problem during a conversation with sales staff at a London Apple Store: "We've never sold anything as a company that people could try on before."

With the expected launch next month of the Apple Watch, the company’s first new product in five years, Apple will be stepping into new territory.

To conquer the marketplace, the watch will have to appeal not only as a gadget but as a fashion statement, a fact tacitly acknowledged by Apple's decision to launch its advertising campaign with a 12-page insert in the March issue of Vogue.

The company isn’t talking about plans for marketing the Apple Watch in advance of it's much-touted "Spring Forward" event on Monday, but it clearly intends to keep a tight grip on initial sales and distribution, leaving many retailers guessing about when -- or if -- they'll be able to sell it.

Sources with direct knowledge of the matter said that Best Buy Co Inc, one of the largest sellers of Apple products, may not get the watch at launch time, though the company wouldn't comment on the situation.

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Other large retailers, including Macy's, Saks 5th Avenue, Bloomingdales and Barney's said they had no immediate plans to carry the watch. Target and Nordstrom,along with all the major phone carriers, declined to comment on their plans, though a source with knowledge of the situation said Nordstrom has engaged in discussions with Apple.

"Apple is being cautious. There are too many unknowns around how this product will perform," said Van Baker, research vice-president, technology research firm Gartner Inc.

That might mean restricting initial sales to company stores, where Apple has complete control over the experience and staff can be specially trained to sell the watch, Baker said.

Apple's Cook seems very aware of the challenge. The Telegraph, which sent a reporter with the CEO to the company's Covent Garden store, reported that he explained to the staff that selling the watch might require "tweaking the experience in the store."

In the absence of hard information about what the tweaks might look like, speculation has been intense. The Washington Post last week suggested that Apple might add carpeting and mirrors and change store lighting to enhance the watch-buying experience.

Media outlets and Websites have also posited that the watch will be offered at special pop-up stores installed at luxury retailers such as Selfridges in London and Colette in Paris.

Apple hosted a private event at Colette last September, at which guests were able to try on the watch, but a spokesman for Colette declined to comment on whether the store would carry it.

Until now, wearable gadgets have not been big sellers for technology companies. Rival products such as Samsung's Gear watches have sold poorly.

Apple hopes to change that, but it is still a big if whether the watch will appeal to buyers seeking a fashion accessory, especially if it needs to be upgraded every few years like Apple's phones, tablets and computers.

"It could do wonders for the watch market if it means people might wear watches again, but realistically, there are a lot of doubts," said Eric Wilson, fashion news director of InStyle.

"Fashion customers are more skeptical than anyone, so Apple has picked a tough crowd."

(Reporting by Nandita Bose in Chicago and Piya Sinha Roy in Los Angeles, Additional reporting by Nathan Layne in Chicago, Alexei Oreskovic in San Francisco and Malathi Nayak in New York, Editing by Dina Kyriakidou and Sue Horton)

Friday, March 6, 2015

Jared Leto dyes his hair blond – stylewatch

Jared Leto at the Balmain show during Paris Fashion Week.

Is there something in the water at Paris Fashion Week? First Kim Kardashian pops up with hair the colour of a budgerigar’s crown. Now Jared Leto – whose dearly departed man bun we recent eulogised – has debuted a dye job that makes him look like Rhydian from X Factor, or Spike from Buffy, at best. We’re hearing that the hair is for a role. But as for that velvet jacket – with the tag still attached and visible – and the snowboots worn in crisp, sunny Paris? They remain unexplained.


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Sunday, March 1, 2015

Photos: Provo Fashion Week

Faith Heaton Jolley


The third bi-annual Provo Fashion Week was held Friday and Saturday and highlighted many up-and-coming local designers.

Provo Fashion Week was started in Spring 2014 as “a medium for local designers to showcase their work,” according to a Provo Fashion Week news release. The first runway event included 18 local independent fashion designers, more than 150 models and almost 800 attendees. The event has since grown and the second fashion week included 23 designers, more than 300 models and 1,450 guests, the news release said.


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The Friday night show of the 2015 Spring Provo Fashion Week included a variety of clothing lines ranging from children’s clothing to women’s swimwear. The designers showcased in the Friday show included Bree Wilkins’ Bree Lena line, Aaron Puglisi’s Tessel Supply, Chris Bennett’s Hush & Salt, Garth Peay’s Perfectly Suited, Lauren Whittier’s ThreeTwoSevenSix, Aaron and Alexis Puglisi, Michelle Whitaker and Chylie Garner.

Provo Fashion Week was held at the Provo City Library at 550 N. University Avenue. The event will continue with two Saturday shows held at 3 p.m. and 7:30 p.m.

Thursday, February 26, 2015

Doutzen Kroes jets to Milan Fashion Week after leaving her job as a Victoria's Secret Angel

The day after Victoria's Secret confirmed that Angel Doutzen Kroes had handed in her wings, the Dutch model was spotted arriving in Italy for Milan Fashion Week.
The 30-year-old was dressed all in black and wheeled her own luggage through the arrivals hall with one hand while clutching a gold-colored cell phone and black designer purse in the other.
She was wrapped up well against the chill of the Northern Italian winter with black skinny jeans, biker boots and a warm leather jacket over a hoodie.

The Italian Job: Doutzen Kroes jets into Milan for fashion week after ending her contract with Victoria's Secret in December
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The Italian Job: Doutzen Kroes jets into Milan for fashion week after ending her contract with Victoria's Secret in December
Kroes apparently quietly quit the underwear giant at the end of last year, ending her contract with the company after 10 years modeling for the brand.
She joined Victoria's Secret in 2004 and earned her Angel wings in 2008.The confirmation of her departure comes one day after it was announced that Karlie Kross is also leaving the lingerie line.
Kloss from Chicago became an Angel in 2011 at 18 and her contract expires this year. 
Ready for new horizons: The Dutch model started modeling for the lingerie giant in 2008 and got her Angel wings in 2008. Now she's pursuing other 'business opportunities' in Europe
Ready for new horizons: The Dutch model started modeling for the lingerie giant in 2008 and got her Angel wings in 2008. Now she's pursuing other 'business opportunities' in Europe
On Tuesday the New York Post's Page Six claimed both Angels quit because they're not getting paid enough. 
It is thought the beauties' pay packets are much smaller than those of older VS stars including Brazilian-born Alessandra Ambrosio, 33.
The newspaper quoted an insider who explained: 'The money isn't what it used to be. Older contracts like Alessandra Ambrosio were in the millions, now they're like $100,000.'
Swapped wings for leather: The 30-year-old wrapped her biker jacket and shawl close around her and put her hood up to protect her from the winter chill in Milan and checked her messages as she waited for her ride from the airport on Wednesday
Swapped wings for leather: The 30-year-old wrapped her biker jacket and shawl close around her and put her hood up to protect her from the winter chill in Milan and checked her messages as she waited for her ride from the airport on Wednesday
Swapped wings for leather: The 30-year-old wrapped her biker jacket and shawl close around her and put her hood up to protect her from the winter chill in Milan and checked her messages as she waited for her ride from the airport on Wednesday
However, the Angels' senior creative director ed Razek pooh-poohed any suggestion that the parting of ways between the company and the model was anything other than amicable.
Razek posted a message on Instagram saying 'Doutzen had a lucrative opportunity in Europe and it would have conflicted with her VS obligations. So, at her agencies request, we released her from contract. There was no conflict. No animosity.'
As for Kloss, Razek said: ' Karlie and I met several months ago to discuss the many things she hoped to do in her life and career. As we talked, it became clear that she would not have the time to fulfil her myriad commitments. Reluctantly, we agreed she would leave the brand at the end of her contract.'
Getting ready to fly solo: Angel Karlie Kloss, 22, is also leaving Victoria's Secret when her contract expires this year. the American walked the red carpet at the2015 Brit Awards in London on Wednesday night
Getting ready to fly solo: Angel Karlie Kloss, 22, is also leaving Victoria's Secret when her contract expires this year. the American walked the red carpet at the2015 Brit Awards in London on Wednesday night
No longer an Angel: Kroes handed in her Angel wings after 10 years modeling for Victoria's Secret and after six years as an iconic VS Angel
No longer an Angel: Kroes handed in her Angel wings after 10 years modeling for Victoria's Secret and after six years as an iconic VS Angel
No longer an Angel: Kroes handed in her Angel wings after 10 years modeling for Victoria's Secret and after six years as an iconic VS Angel

Monday, February 9, 2015

1970s fashions billow back on to red carpet at Baftas 2015

Best actress winner Julianne Moore in 'louche' deep V neckline.

For many, the 1970s will always be the decade that style forgot. But at the Baftas, the era was the common thread among A-listers.

Many of the celebrities on the red carpet could have been heading to a night out in Studio 54. Julianne Moore wore a tomato-red Tom Ford column with a deep plunging neckline that felt pure Bianca Jagger.

The louche, 70s deep V neckline was seen, too: on Kristin Scott Thomas, in a jet black vintage gown; on Reese Witherspoon, in purple Stella McCartney; and on Anne-Marie Duff, who wore a long-sleeved white maxidress by Temperley with transparent mesh panels to the navel.

There were other 70s throwbacks on show, too: Holliday Grainger and The Lunchbox star Nimrat Kaur wore batwing sleeves; the black flowing column dress worn by Rosamund Pike had a cross-neckline that recalled Halston in its heyday; Monica Bellucci was covered from head to toe in a black maxi gown by Alaia with bell sleeves and a ruffled hem.

The men stopped short of wearing flares, but did pile on the velvet – seen on best actor winner Eddie Redmayne, in midnight blue Armani, and on Douglas Booth, whose strokeable jacket was a suitably retro shade of pea green.

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The 70s has been hugely popular in catwalk fashion in recent seasons, notably at Louis Vuitton, where creative director Nicolas Ghesquière showed burgundy leather tank tops and wide car-salesman collars at the presentation of his first collection for the house in March. That mood has since been captured by the rest of the industry, with Prada’s current men’s campaign centring on tasteful tank tops styled with stiff, retro denim and designers from Gucci to JW Anderson to Topman conspiring to bring flares back into fashion.

The red carpet is usually slow on the uptake when it comes to trends. Wary of choosing a dress that does anything other than demonstrate how gobsmackingly beautiful its wearer is, A-listers tend to stick to the same formula. Waists are cinched, curves are accentuated and hands are placed stiffly on hips. At its most glamorous, let-it-all-hang-out 1970s fashion is the antithesis of all this: it is louche, its fabric is billowing and it is decidedly corset free. As far as red carpet dressing goes, it all sounds rather relaxed.

Friday, February 6, 2015

The biggest Grammy fashion hits — and misses — in history



Alicia Keys attempted comfort couture on the carpet, but critics say it’s more of a fashion identity crisis.FREDERICK M. BROWN/GETTY IMAGESAlicia Keys attempted comfort couture on the carpet, but critics say it’s more of a fashion identity crisis.Enlarge
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Music’s biggest night is also a Fashion Police feeding frenzy.

Pharrell Williams turned heads when he showed up at  the 56th Grammy Awards wearing a Smoky-the-bear look alike hat by Vivienne Westwood.LARRY BUSACCA/WIREIMAGEPharrell Williams turned heads when he showed up at the 56th Grammy Awards wearing a Smoky-the-bear look alike hat by Vivienne Westwood.
Unlike the strict dress codes at the Oscars and Emmys, the Grammys are more relaxed, so A-listers are free to turn heads — or raise eye brows — on the red carpet.
Just about anything goes. And it has. Think Pharrell’s Vivienne Westwood hat, Jennifer Lopez’s iconic belly-button-baring Versace gown, Lady Gaga’s eggcellent entrance, and Katy Perry’s white feather angel wings. And leave it to Missy Elliot to work it in a fuzzy pink Adidas tracksuit and sneakers.
“It’s a fashion circus,” says Billboard associate editor Brooke Mazurek.
“Musicians are characters. Think back to Cher in the ’70s, Grace Jones in the ’80s and up through today and you can see how high fashion and couture has made its way onto the carpet more and more.”
Here are the good, the bad and the ugly.

“Rude Girl” Rihanna looked regal in her red Azzedine Alaia dress at the 55th Annual Grammy Awards.STEVE GRANITZ/WIREIMAGE“Rude Girl” Rihanna looked regal in her red Azzedine Alaia dress at the 55th Annual Grammy Awards.
BEST:
Ranking: No. 1
Showstopper: Jennifer Lopez (2001)
J. Lo took low to a new level when she dared to bare in a plunging sheer Versace dress. She showed her wild side with a jungle print pattern and vogued next to then-boyfriend Diddy.
Expert says: “This dress went down in fashion history,” says Mazurek.

Leave it to Lady Gaga to make an eggcellent entrance at the 2011 Grammy Awards.C FLANIGAN/FILMMAGICLeave it to Lady Gaga to make an eggcellent entrance at the 2011 Grammy Awards.
Ranking: No. 2
Showstopper: Rihanna (2013)
The “Rude Boy” singer is known for her wild style, but RiRi looked regal in a sheer, red Azzedine Alaia gown and blinged out Neil Lane jewelry.
Expert says: “Rihanna is someone who bares a lot of skin pretty frequently, but something like this with a subtle open back was an elegant look,” says Mazurek.
Ranking: No. 3
Showstopper: Lady Gaga (2011)
The “Born This Way” singer knows how to make an entrance. She arrived in a giant egg and then hatched as part of her performance.
Expert says: "Definitely the most memorable red carpet entrance,” says Mazurek.

Madonna thinks like a man in a Ralph Lauren tux complete with top hat and cane.JASON MERRITT/GETTY IMAGESMadonna thinks like a man in a Ralph Lauren tux complete with top hat and cane.
Ranking: No. 4
Showstopper: Madonna (2014)
Madge wore a sexy fitted Ralph Lauren tuxedo to match her son David Banda. The Material Girl completed the sassy look with a tie, top hat, cane and gold grills.
Expert says: “It’s like Rock ‘N Roll Annie Hall,” says Mazurek. “It takes a lot of guts to do. It’s multiple pieces and the fit has to be immaculate.”
Ranking: No. 5
Showstopper: Beyonce (2014)
Fashion critics were crazy in love with Queen Bey’s stunning Michael Costello dress. The white lace and nude mesh underlay and fish-netting was entirely hand sewn with delicate flowers on the sleeves and an A-symmetrical mermaid silhouette bottom.
Expert says: “Flawless.”

Singer Katy Perry hit a high note in Valentiono during the  56th Grammy Awards.JASON MERRITT/GETTY IMAGESSinger Katy Perry hit a high note in Valentiono during the 56th Grammy Awards.
Ranking: No. 6
Showstopper: Katy Perry (2014)
The California girl stunned in a sheer Valentino dress adorned with whimsical music notes. “Mr. Valentino knows me really well,” she said on the red carpet.
Expert says: “It was unexpected to see her covered up, but there’s a playful element [with the music notes] that’s done tastefully,” says Mazurek.
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WORST:

Singer Cher’s chrome colored dress was a trainwreck at the 50th Grammy Awards making it our No. 1 worst dress in Grammy history.STRINGER/AFP/GETTY IMAGESSinger Cher’s chrome colored dress was a trainwreck at the 50th Grammy Awards making it our No. 1 worst dress in Grammy history.
Ranking: No. 1
Showstopper: Cher (2008)
Cher’s torn gray frock was fifty shades of unflattering.
Expert says: “Where does it end?” asks Mazurek. “It’s just too much material. Nothing was tailored right.”
Ranking: No.2
Showstopper: Cyndi Lauper (1984)

Cyndi Lauper showed her true colors with a little too much Technicolor in 1984.BARRY KING/WIREIMAGECyndi Lauper showed her true colors with a little too much Technicolor in 1984.
Lauper isn’t afraid to show her true colors, but she went too far when she sported technicolor hair, bright orange stockings and a fruit necklace .
Expert says: “Too much Technicolor for one red carpet,” says Mazurek.

Sheryl Crow said it herself, “The first cut is the deepest.” We say this cutout went off the deep end.GREGG DEGUIRESheryl Crow said it herself, “The first cut is the deepest.” We say this cutout went off the deep end.
Ranking: No. 3
Showstopper: Christina Aguilera (2001)
The pop princess looked like she was channeling “Pirates of the Caribbean” with braided golden locks, a high slit and cleavage.
Expert says: “ It’s a lot to look at,” Mazurek says.
Ranking: No. 4
Showstopper: Alicia Keys (2004)
The 15-time Grammy award winner appeared to be having an identity crisis when she paired blue jeans with an over-the-shoulder blue and white gown complete with a denim bracelet. Someone should have told Keys it was a red carpet, not casual Friday.
Expert says: “It was confusing, and a lot to look at. If you’re going to wear pants, go for a tux,” says Mazurek.
Ranking: No. 5
Showstopper: Sheryl Crow (2005)
If it makes you happy, it can’t be that bad — unless you’re Sheryl Crow in a yellow halter dress with a half-moon shaped cut out revealing your torso. Crow has killer abs, but the unflattering exposure looked more like a hungry paparazzo took a bite out of her couture.
Expert says: “Sew it back!” says Mazurek. “The cut of the dress, even though her body is so toned, didn’t accentuate the right places.”

Wednesday, February 4, 2015

Fashion designer Valentino takes Victorian artist's work to catwalk

From her studio in Daylesford, Stewart has spent many months working on abstract forms using solid and bold blocks of colour.

After building up strong interest in the Melbourne design community, her work has been eyed off by other labels in the past.
But Stewart waited for an opportunity that felt right.
Valentino was it.
A member of the label's menswear team stumbled upon her work in an online review and asked if she was interested in collaborating.
"Of course I was enormously excited," she said.
"The design and production team at Valentino have exceptional design skills and superb craftsmanship."
Valentino spent six months working the forms onto fabric for the men's fall/winter 2015-16 collection.
Last month Stewart was flown to Paris Fashion Week, where she saw the paintings transformed by masters of couture.
The 26-year-old who has always had an eye for fashion was stunned with the final result.
"The attention to detail with which they applied my paintings to the carpets, clothes and accessories was remarkable," she said.
"As a painter it was fantastic to see my works transformed in that context, to see how the painted image translated when given texture and form."
Esther grew up on a semi-rural property at Daylesford; a childhood she says continues to influence her creative mind.
"I spent a lot of time outside, climbing trees, riding horses and adventuring," she said.
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"Living away from the city has shaped the way that I experience space and my surroundings and continues to influence the way I think."
Her love of creating flourished while going to high school in Ballarat, where teachers opened her eyes to different and interesting forms of art.
"It was probably not until I started art school that I fully understood what it was to be an artist and developed my own sense of artistic practice," she said.
Along with meeting the Valentino team, seeing the retrospective exhibition of Jewish-French artist Sonia Delaunay was a highlight of the trip.
"She applied her abstract designs to paintings, clothing, architecture and furniture.
"Her skill, passion and determination was remarkable and is so present in her vibrant works.
"Her quote "abstract art is only important if it is the endless rhythm where the very ancient and the distant future meet" inspires me enormously."
While she has no major projects in the pipeline at this stage, she would like to create large-scale outdoor sculptures that relate to the buildings that surround them.